Before pockets, people wore elaborate "chatelaines" to carry their keys.

Arts & Culture

L ong before pockets became commonplace, humans had other resourceful ways to carry everyday essentials. Wearable pouches such as belt bags date back more than 5,000 years, and as early as ancient Roman times, people wore brooches that had hooks for hanging personal grooming tools. Similar items were used for carrying keys throughout the medieval period and beyond; by the 18th century, the tool had evolved into an elaborate piece that came to be known as a "chatelaine," a word derived from French, referring to the keeper of a castle.

Chatelaines from this era typically consisted of an ornately designed metal clip or hook that was fastened over a waistband or belt. Several chains — upwards of 12 or 13 on large chatelaines — extended from the clip, and each one held a small but useful item for the day-to-day operations of a household. This included keys, of course, but also scissors, writing tools, sewing kits, or even perfume. There were specialized versions for nurses or artists to help them keep their tools at hand, as well as chatelaines that primarily served as fancy fashion accessories — these were usually made of gold, beautifully decorated with diamonds and enamels, and often held a fan, watch, or purse.

While both women and men wore versions of chatelaines throughout history, it was mostly women who wore them during this era — men's clothing, after all, had reliably included pockets since the 17th century. By the early 20th century, however, women's handbags had become more common and larger; people also began wearing watches on their wrists as opposed to a chain. After World War I, dropped-waist fashion silhouettes took center stage, and chatelaines were left behind as but a relic of functional fashion.

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By the Numbers

Year the word "pocket" came into use in English

~1450

Year chatelaines were displayed at the Great Exhibition in London

1851

Did you know?

Lovers used to wear miniature portraits of each other's eyes.

In the late 18th century, tiny tokens of romance emerged as a mysterious jewelry fad in Britain. They were known as "lover's eye" portraits — miniature paintings featuring a single, detailed eye, often framed in jewelry such as brooches, lockets, or rings. They were usually exchanged as tokens of love, but often, only the giver and the recipient knew whose eye it was. The origin of the tradition is linked to Prince George of Wales (later King George IV). According to legend, the prince, who famously shared a scandalous love affair with a woman named Maria Anne Fitzherbert, sent a tiny painting of his eye to ask for her hand in marriage in 1785. The intimate hand-painted objects came and went fairly quickly as a trend, especially as photography emerged in the 1830s. Today, approximately 1,000 "lover's eye" artifacts exist.

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